Alecto Crabtree (
infringe) wrote in
fuguestates2022-09-22 05:36 pm
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Portrait of a Man on Fire (Painter/Subject)
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A STUDY IN RED ( alecto, josh ) A young painter is commissioned to make a portrait of the peculiar young master of the House of Crabtree, who is known to be a very difficult subject not only to capture but to work with. |
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"Have... you ever posed as a life drawing model, for other painters?" he forces out, his head ducked low, his voice a mere whisper, staring at the page.
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…it’s almost cute.
“Yes, in fact,” he says finally. “I was wondering when you’d ask.”
He starts immediately removing his clothes, unbuttoning his shirt and letting the cravat fall to the ground. The fine fabrics slide off of him like warm butter and soon enough he’s entirely nude, rearranging himself on the chaise once more. Alecto is relaxed and casual, the sunlight streaming in from the open windows all around him cloaking him in gold.
“How’s this?” He asks, resting his chin against his hand.
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Oddly enough, as Alecto's entire body is bared before Josh's eyes, his fingers unclench. He knows his thoughts are not wholly focused on his art, but his devotion to it is still the motivating factor, his hands moving once more on the page, tracing out the lines of Alecto's bare shoulders, his torso, his upper arms. There is an odd familiarity to it, despite this being only the second time Josh had laid eyes on him in his entirety - he knows this body, has inferred it from the deep study he has made of every other visible part, neck to wrists to knees.
He falls under that spell and doesn't even answer Alecto's question.
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He wonders also if the painter has already imagined his body in a different way, alone and under the safe, dark cover of evening.
“For the final portrait, would you want it like this as well?” He’s grinning, amused, curious how the other man would respond. As he speaks, he shifts, letting one long leg fall to dangle off the edge of the chaise. It’s not an inherently refined position at all and yet Alecto somehow still appears graceful instead of sloppy.
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"I... don't know yet," he mumbles, looking down at the page again, though he can't help but glance up at Alecto, at the sun-limned expanse of limbs and bare skin, of the sight of his body on perfect display in the last of the morning sunlight, as the clock strikes noon. "I... what would you like, Alecto?"
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Alecto pauses to consider his last phrasing. It was...odd, he's aware. He glances at Joshua, his gaze curious and sharp as always. "...There's no rush," he says, trying hard to be encouraging and patient. "I enjoy being your muse."
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"I just...don't understand what you're getting out of this," he says, quietly, glancing up again between Alecto and the page and setting down his chalk. "Surely there are other painters - more skilled than I am - you could engage for this."
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Suddenly, he reaches out to hold the painter's stained hand. It's a light slotting of their fingers together and a loose grip overall but it is a shock to feel skin against skin after so many days of merely looking.
"...Perhaps you simply need a little more encouragement?"
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He can't seem to help running his thumb along Alecto's palm, and then he glances down, suddenly distracted, turning his hand over, facing up. "What...what happened to your cut? It was still here yesterday..."
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In the past, this has always helped things, had always been the root of the entire process, the core of this unique magic. Alecto couldn't explain why but so far, it hasn't failed him yet.
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The winds are warm but wild this late in the afternoon, tossing Alecto's clothes about him in a whirl as he calls out Joshua's name.
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There's a spot just off the pathway that overlooks the water, one that the two of them often passed on their morning walks, with a few pine trees lined up along the edge of the cliff, their branches hanging above the waves. Josh settles on one of the rocks, looking out at the horizon, his knees drawn up to his chest. When he hears Alecto's voice - still calm and composed - he hesitates a moment before he calls back, carried by the wind: "I'm here."
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"...I suppose that was a bit presumptuous of me," he says, after a moment's silence, though he doesn't sound regretful in the least.
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"What?" He asks, startled into answering, into rudeness. "No. I. It was something I said, wasn't it? I shouldn't have..." He's not sure what he'd done wrong, only that he must have, that whatever it was that had sparked those thoughts, that had convinced Joshua that his host, his patron, (your muse) had intended to...
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But, Alecto says nothing and chooses instead to surge forward, grabbing Joshua by his shirt and colliding their mouths together.
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He lets his tongue explore, pressing into Joshua's mouth slowly, feeling the way the other man melts into him and follows his lead.
"Now, that wasn't so bad, was it?" he tease after a little while, his hand clasped to the back of the painter's neck, keeping him held close.
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"Come back inside with me," he says, suddenly. "We should let you finish up while the light is still good."
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"If you say so," he says meekly, and obediently uncurls himself from his seat, but Alecto is still holding on to his hands, and he doesn't quite know what to do.
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The drawing room is as they left it, and when Alecto folds himself back onto the chaise, he doesn't yet let go. Instead, he looks up at the painter, curious what he might do next.
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"Would you," he starts, with a slight stammer in his voice, but an underlying tone of unexpected boldness, "would you let me see you again, Alecto? All of you?"
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