Alecto Crabtree (
infringe) wrote in
fuguestates2022-09-22 05:36 pm
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Portrait of a Man on Fire (Painter/Subject)
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A STUDY IN RED ( alecto, josh ) A young painter is commissioned to make a portrait of the peculiar young master of the House of Crabtree, who is known to be a very difficult subject not only to capture but to work with. |
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Alecto pauses to consider his last phrasing. It was...odd, he's aware. He glances at Joshua, his gaze curious and sharp as always. "...There's no rush," he says, trying hard to be encouraging and patient. "I enjoy being your muse."
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"I just...don't understand what you're getting out of this," he says, quietly, glancing up again between Alecto and the page and setting down his chalk. "Surely there are other painters - more skilled than I am - you could engage for this."
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Suddenly, he reaches out to hold the painter's stained hand. It's a light slotting of their fingers together and a loose grip overall but it is a shock to feel skin against skin after so many days of merely looking.
"...Perhaps you simply need a little more encouragement?"
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He can't seem to help running his thumb along Alecto's palm, and then he glances down, suddenly distracted, turning his hand over, facing up. "What...what happened to your cut? It was still here yesterday..."
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In the past, this has always helped things, had always been the root of the entire process, the core of this unique magic. Alecto couldn't explain why but so far, it hasn't failed him yet.
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The winds are warm but wild this late in the afternoon, tossing Alecto's clothes about him in a whirl as he calls out Joshua's name.
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There's a spot just off the pathway that overlooks the water, one that the two of them often passed on their morning walks, with a few pine trees lined up along the edge of the cliff, their branches hanging above the waves. Josh settles on one of the rocks, looking out at the horizon, his knees drawn up to his chest. When he hears Alecto's voice - still calm and composed - he hesitates a moment before he calls back, carried by the wind: "I'm here."
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"...I suppose that was a bit presumptuous of me," he says, after a moment's silence, though he doesn't sound regretful in the least.
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"What?" He asks, startled into answering, into rudeness. "No. I. It was something I said, wasn't it? I shouldn't have..." He's not sure what he'd done wrong, only that he must have, that whatever it was that had sparked those thoughts, that had convinced Joshua that his host, his patron, (your muse) had intended to...
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But, Alecto says nothing and chooses instead to surge forward, grabbing Joshua by his shirt and colliding their mouths together.
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He lets his tongue explore, pressing into Joshua's mouth slowly, feeling the way the other man melts into him and follows his lead.
"Now, that wasn't so bad, was it?" he tease after a little while, his hand clasped to the back of the painter's neck, keeping him held close.
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"Come back inside with me," he says, suddenly. "We should let you finish up while the light is still good."
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"If you say so," he says meekly, and obediently uncurls himself from his seat, but Alecto is still holding on to his hands, and he doesn't quite know what to do.
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The drawing room is as they left it, and when Alecto folds himself back onto the chaise, he doesn't yet let go. Instead, he looks up at the painter, curious what he might do next.
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"Would you," he starts, with a slight stammer in his voice, but an underlying tone of unexpected boldness, "would you let me see you again, Alecto? All of you?"
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His hands move to shed his jacket, letting it fall to the floor in a pile of wool.
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He doesn't rush the other man or direct him, content to be his canvas in this way too. "Where do you want me?" he says, voice low and patient, realizing only a moment too late that his words might have more than just one implication.
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"The chaise by the west window," he says decidedly, still not stepping back, his fingers busy now with Alecto's belt. "The light is best there."
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"And what would you like for me to be doing?"
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