"Thank you," he says, looking over all the supplies, but not picking any of them up just yet. Instead he takes a few steps back and forth along the edges of the room, careful not to disturb anything placed there, and observes the lighting, the way the furniture is arranged, before he selects a chair and pulls it closer to where Alecto is already sprawled over the arm chair, with only his sketchbook and a few pieces of charcoal.
"I really appreciate your generosity. I'll make sure to familiarize myself with all the materials on my own time," he says, by way of reassurance, flipping the book open to the first page. "I don't want to take up too much of your day while we're still in planning stages." He knew how to use all of these things, of course - but his career had always been defined by scarcity and improvisation. It would take at least a few practice sessions to be sure of his colors and techniques again, at least if he was intended to produce something worthy of his subject.
He doesn't give Alecto any direction, simply bends his head over his sketchbook and starts - filling in undefined splotches of gray and black on white paper, slowly picking out contour and shadow and curve, the hint of arrested movement. There's a moment, the trick of the light falling on the page, before the seemingly random sweeps of charcoal on the page resolve into Alecto's crossed calves, cut off at the ankle and the knee, capturing the lean curve of muscle beneath his tight-fit trousers, the slightest wrinkle of the cloth lending additional texture.
Without a word, Joshua flips to a new page, and begins again.
no subject
"Thank you," he says, looking over all the supplies, but not picking any of them up just yet. Instead he takes a few steps back and forth along the edges of the room, careful not to disturb anything placed there, and observes the lighting, the way the furniture is arranged, before he selects a chair and pulls it closer to where Alecto is already sprawled over the arm chair, with only his sketchbook and a few pieces of charcoal.
"I really appreciate your generosity. I'll make sure to familiarize myself with all the materials on my own time," he says, by way of reassurance, flipping the book open to the first page. "I don't want to take up too much of your day while we're still in planning stages." He knew how to use all of these things, of course - but his career had always been defined by scarcity and improvisation. It would take at least a few practice sessions to be sure of his colors and techniques again, at least if he was intended to produce something worthy of his subject.
He doesn't give Alecto any direction, simply bends his head over his sketchbook and starts - filling in undefined splotches of gray and black on white paper, slowly picking out contour and shadow and curve, the hint of arrested movement. There's a moment, the trick of the light falling on the page, before the seemingly random sweeps of charcoal on the page resolve into Alecto's crossed calves, cut off at the ankle and the knee, capturing the lean curve of muscle beneath his tight-fit trousers, the slightest wrinkle of the cloth lending additional texture.
Without a word, Joshua flips to a new page, and begins again.